Talk:An Michael (Zwischen Juli 1937 und September 1939): Difference between revisions
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== Collaborative Work == | == Collaborative Work == | ||
{| class="wikitable" | |||
! Object | |||
! Name | |||
! Date | |||
|- | |||
| Typewriting | |||
| [[User:Santiago Pinault|Santiago Pinault]] | |||
| 2016 | |||
|- | |||
| Proofreading | |||
| | |||
| | |||
|} | |||
== How to date this letter == | == How to date this letter == | ||
Si elle n’est pas datée, l’entête de la page mentionne “Kingsview, Kingsdom, Sevenoaks, Kent”, ce qui permet de dire qu’elle a été écrite between July 1937 and 1938, Ilona Duczynska ayant trouvé une maison dans le Kent où installer la famille: “[Their sunny rural little bungalow] was situated in a field overlooking a picturesque valley dotted with oast houses, just at the point at which Kent divided “between the ugly and the beautiful part,” but facing the latter. […] A year later they moved again. <nowiki>[</nowiki>[[Dale 2016]], 139] | Si elle n’est pas datée, l’entête de la page mentionne “Kingsview, Kingsdom, Sevenoaks, Kent”, ce qui permet de dire qu’elle a été écrite between July 1937 and 1938, Ilona Duczynska ayant trouvé une maison dans le Kent où installer la famille: “[Their sunny rural little bungalow] was situated in a field overlooking a picturesque valley dotted with oast houses, just at the point at which Kent divided “between the ugly and the beautiful part,” but facing the latter. […] A year later they moved again. <nowiki>[</nowiki>[[Dale 2016]], 139] |
Revision as of 19:31, 4 May 2017
Collaborative Work
Object | Name | Date |
---|---|---|
Typewriting | Santiago Pinault | 2016 |
Proofreading |
How to date this letter
Si elle n’est pas datée, l’entête de la page mentionne “Kingsview, Kingsdom, Sevenoaks, Kent”, ce qui permet de dire qu’elle a été écrite between July 1937 and 1938, Ilona Duczynska ayant trouvé une maison dans le Kent où installer la famille: “[Their sunny rural little bungalow] was situated in a field overlooking a picturesque valley dotted with oast houses, just at the point at which Kent divided “between the ugly and the beautiful part,” but facing the latter. […] A year later they moved again. [Dale 2016, 139]