Freedom and Technology (Planned book)

From Karl Polanyi
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Reconstruction of the book

General thesis

“The thesis of the book is that in our Complex technological civilization there is inherent a basic loss of freedom, not of a legal or political but of an operational nature, which goes to the roots of the metaphysics of everyday life. Here lie the roots of our moral disorientation which leaves us helpless in the face of the portent of science, technology of the reality of society we gain is real. This is the meaning of maturity. (The last paragraphs of the "Great Transformation” spoke of three revelations, but the thought was the same).”

Chapters

Introduction

Why? -

Content - “The introduction would start from technology but would instantly proceed to the idea that adjustment to this involves reshaping human consciousness. The moral part is introduced by our criticism of the market.”[1]

(1.) The discovery of society / The social discontent

Why? -

Content -

2. The young Hegel

Why? - “Chapter Two (…is) still to be written. [It is] about (Chp. 2) the young Hegel.”[2]

3. The young Marx

Why? - “Chapter Three (…is) still to be written. [It is] about (…) the young Marx (Chp. 3)”[3]

4. On post-existentialist thought

Why? - “…there ought to be a Chapter Four: On post-existentialist thought.”[4]

Content - …Research proved lengthy and difficult on account of the tortuous French. However, the paradox of Pasternak might offer a key to that of Sartre - both are noble representatives of a counter-revolutionary era, reactions to a barebones rationalism of the Fascist and Bolshevik holocaust. My wife remarked that Pasternak's gripping lyricism is a direct descendant of Jens Peter Jacobsen, the Danish poet (1885    ), and added: - but so is Sartre of Kierkegaard (1855    ), of course. In this light French existentialism (like Pasternak) provokes a next step. In practical terms this means that my positive thoughts on freedom may be easier to present in the face of Sartre: Pasternak than of Sartre alone.[5]

(5.) Robert Owen

Why? - “The Owen chapter reflects his magic ease of writing. Our analysis of Owen's “second plans” (p. 22) and their interpretation (pp. 24-5) is new: hitherto these plans were ignored since they were as impraticable as the first. Actually they are of the very greatest interest for the understanding of Robert Owen's genius.”[6]

(6.) George Bernard Shaw

Why? - [7]

Contract


Text in English to type

Text Informations

Reference:
Date: 1957-1958
KPA: 38/13 (contracts, 10 p.)
Other Languages:

Lge Name
DE
FR

See also

For the book

In Abraham Rotstein's “Week-end Notes”:

The Speech

References

  1. Weekend Notes XXII, 45
  2. See. To Thomas A. Bledsoe (3 January 1959), 11.
  3. See. To Thomas A. Bledsoe (3 January 1959), 11.
  4. See. To Thomas A. Bledsoe (3 January 1959), 11.
  5. See. To Thomas A. Bledsoe (3 January 1959), 11.
  6. See. To Thomas A. Bledsoe (3 January 1959), 12.
  7. See. “Weekend Notes” XXII