Hamlet: Difference between revisions

From Karl Polanyi
Jump to navigation Jump to search
No edit summary
Line 25: Line 25:


He indulges in mechanical puns  
He indulges in mechanical puns  
First publication: ''The Yale Review'', vol. 43, no. 3, pp. 336-350, 1954.<br />
This text can be found in [[36/08]]<br />
This text will be published by Michele Cangiani and Claus Thomasberger in 2017.<br />
== Hungarian version [1968] ==
Bevezetésül egy rövid visszaemlékezés, kettős céllal: vegye elejét annak a Feltevésnek, hogy ez az amatőr írás valamely irodalmi igénnyel lép fel, és hangsúlyozza ki, miért halaszotta el a szerző e munkája megjelenését élete alkonyáig. 
This text was published in ''Kortárs'', vol. 12, no. 5, 1968.<br />
This text can be found in KPA [[42/08]], 5.<br />


== Text Informations ==
== Text Informations ==
'''Reference''': <br />
'''Reference''': <br />
'''Original Publication''':  “Hamlet”, ''The Yale Review'', vol. 43, n°3, p. 336-350<br />
'''Original Publication''':  “Hamlet”, ''The Yale Review'', vol. 43, n°3, [[1954]], p. 336-350<br />
'''KPA''':<br />
'''KPA''':<br />
* [[36/08]] (copy the original)
* [[36/08]] (copy the original)
* [[22/09]] (Notes – Hamlet, 1947-1954)
* [[22/09]] (Notes – Hamlet, 1947-1954)
* [[36/07]] (Draft article – “Hamlet”, n. d)
* [[36/07]] (Draft article – “Hamlet”, n. d)
* [[42/08]] (“Hamlet” in Hungarian, copy of original and typed draft)
* [[42/08]] (“[[Hamlet (Hungarian version, 1968)|Hamlet]]” in Hungarian, copy of original and typed draft)

Revision as of 13:48, 13 January 2018


Text in English to type

English Version [1954]

A brief reminiscence at the outset will serve a twofold purpose. It should reduce to the vanishing point the literary claims of this piece of amateur writing, while adding a note of authenticity to the author’s reasons for putting off publication for almost a lifetime.

narrowing disk that grew dimmer and dimmer

to get out the saddle

daydream

ravings

as I chanced to come across them

his mother's gross sensuality into utter disgust of life

are either the causes or the effects of this pervasive melancholy. It alone accounts

to fit both locks

how so exciting a show could ever have been staged about inaction.

In his utter dejection

He indulges in mechanical puns

Text Informations

Reference:
Original Publication: “Hamlet”, The Yale Review, vol. 43, n°3, 1954, p. 336-350
KPA:

  • 36/08 (copy the original)
  • 22/09 (Notes – Hamlet, 1947-1954)
  • 36/07 (Draft article – “Hamlet”, n. d)
  • 42/08 (“Hamlet” in Hungarian, copy of original and typed draft)